The Anti-technique in english

HOW TO GET THE ANTI-TECHNIQUE IN ENGLISH (for shipments outside Spain):

My books are not for sale, they are given away with the acquisition of a one-hour singing class outside of Spanish territory or for a vocal analysis through videos or audios. Find out in the "consultas on line" section

To obtain THE ANTI-TECHNIQUE in English for shipments outside Spain, you must make a payment of €75  through WESTERN UNION indicating in the concept 

TEACHING MATERIALS ANTI-TECHNIQUE IN ENGLISH

Account number:
IBAN: ES23 3025 0004 3814 3323 8262
BIC/SWIFT: CDENESBBXXX
Account holder: Fernando Bañó Llorca

If you reside in the EU you can also make a bank transfer to the account number: IBAN: ES23 3025 0004 3814 3323 8262

Then you must fill out the form with your information to be able to send the book to your address:

    HOW TO GET THE ANTI-TECHNIQUE IN ENGLISH  (for shipments in Spain):

    My books are not for sale, they are given away with the acquisition of a one-hour singing class outside of Spanish territory or for a vocal analysis through videos or audios. Find out in the "online voice queries" section

    To obtain The Anti-technique  in English for shipments in Spain, you must make a payment of €55 to the following account number:

    IBAN: ES23 3025 0004 3814 3323 8262

    indicating in the concept of it: TEACHING MATERIALS ANTI-TECHNIQUE ENGLISH

    Then you must fill out the form with your information to be able to send the book to your address:

      The Anti-techique

      The ANTI-TECHNIQUE is an innovative method for vocal placement or projection entitled: ‘The technique of the voice in the mask,’ a centuries-old method that flourished during the 19th century. The technique’s last bastion was renowned Spanish singing teacher Francisco Andrés Romero, maestro of many greats including Alfredo Kraus, while he fulfilled his military service in Valencia and with whom he developed his incredible high notes.

      In THE ANTI-TECHNIQUE the cranial resonators are gone into fully with explanatory drawings for the first time; references of the aforementioned centenary technique. This type of cranial placement is explained in a practical and achievable way with the clarity that every singing student expects and needs.

      The mechanics of breathing, a subject that has always been complicated for the amateur, are also described in considerable detail in THE ANTI-TECHNIQUE. In this book breathing is explained in a practical and feasible way, with drawings to facilitate understanding and the use of this support mechanism on the sound being sung.

      Another important chapter of THE ANTI-TECHNIQUE is that of covering, another much discussed discipline during all the eras of singing and one that was always upheld and taught by the legendary tenor Luciano Pavarotti throughout his career.

      At the beginning of the book, the reason for the unusual book title is explained and also in the first chapter you can find references to the endless controversies on the hundreds of sub-techniques of singing that have existed since long ago.

      Also in THE ANTI-TECHNIQUE there are many other curious facts on subjects that both students and music-loving readers alike will find interesting, enlightening and useful on matters relating to voice physiology and practices. The book also contains the history of vocal music and music related to singing in general.

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